I believe in the subversive potential of words and Images.
The Market Will Regulate Itself
The past few years of British politics have been characterised by privatisation, deregulation of the market, austerity policies and competitiveness. These are only some of the defining characteristics of the neoliberal ideology through which policies have been implemented and continue to rule the political landscape of both sides of the Atlantic. Neoliberal policies have shaped not only the way we live but also our society and environments. As a way of encapsulating the ideological change brought about by this ideology and its repercussions on our system, I created a sound piece mixing recorded sounds titled ‘The Market Will Regulate Itself’ as a social commentary on our current system.
Bricks + Mortar
A4 Foldable invite
In 1919, the Government created the Addison Act, a move that made individual housing needs a national responsibility and aimed to provide good quality housing for working people. 100 years on in 2019 the state of our housing is not only a national crisis, but a national scandal. Our government is failing to provide affordable housing for everyone, property prices and rents are inflating and an acute housing shortage and lack of investment has led to the increased displacement of citizens and a sense of loss of community. Bristol is particularly affected. The Bricks and Mortar exhibition was set up to display and engage the public with the work of 3rd year UWE students. These outcomes were designed in the format of site specific mega graphics which were all installed in the city at the same time on Monday 11th November and then exhibited at the Vestibules in College Green.
C.E.O.s * - Community Evolution Optimists
125 x 176 mm
Climate Evolution Optimists is a collaborative end of year publication project based around the theme of Solastalgia, climate-based media narratives and speculative climate-focused scenarios. The process of producing the book involved creatively and inclusively exploring climate futures in the year 2050, using methods of speculative, critical & participatory design. Speculating on daily life in Bristol, 2050, through the lens of current climate projections, the C.E.O.s* seek to engage those groups disenfranchised by current media platforms, to think differently and to engage in community focused conversations, debates and action around climate issues. Website: futureceos.co.uk
300x300 mm 12''Vinyl
180x180 mm 7'' Vinyl
120x120 mm CD
100x63 mm Tape
An exploration on the birth, rise and fall of independent music, a phenomenon which took place in England throughout the late 70s, 80s and 90s. The record labels which emerged during these years, characterised by their own different sounds and use of technological innovations will define musical influences which are still nowadays the root of various musical genres and sub genres. The independent music movement has been analysed in this book by looking at the history of the most influential independent record labels as a reaction to mainstream music and in strict correlation to their historical and social background. The whole book can be viewed here: COUNTER SOUND - THE HISTORY
The Age Of Neoliberalism
Sound In, Housing In, Work In
125 x 176 mm
A series of books featuring short essays around phenomenons which can be defined as manifestations of the Neoliberal system we live in: a topical and visual exploration on a range of debated contemporary issues. Sound In The Age Of Digital Reproduction, a publication about the impact of the advent of the web on music culture. Housing In The Age Of Austerity, a publication about the impact of austerity policies on the housing crisis. Work In The Age Of Austerity, a publication about the impact of the free market on work organization and the advent of the gig economy
Liminal Routes was established as a means to support club cultures, provide opportunities for new listening experiences and promote the work of DJs and artists while spaces for such gatherings were on hold due to COVID-19. The project, which comprises a series of situated audio mixtapes, is an attempt to continue to share good music, support local artists and ground our bodies in local routes. Each artist created a mixtape for a walking route of their choice in the city, with an accompanying text that reflects their selection at this particular time. Wesite: www.liminalroutes.net
Screen Printed Merchandise
The Nocturns are a pop music producing duo based in London, founded by Joe and Charley’s. I wanted to create a design that was playful and catchy, but also reflective of the duo’s music and practice. The logo represents an owl to illustrate the name of the duo. The image is composed of lines of different thickness, which form a sound wave. The two eyes were subtly used both as a way of creating a monogram capturing the initials of the founders, J and C, and as a way of suggesting the different mediums used by the producers in their process, such as mix tapes and DJ decks. The winking eye was used to create asymmetries within the design, suggesting the friendly and approachable nature of the duo and encapsulating their catchy sounds.
Encounter Film Festival 2020 Digital Edition
176 X 250 mm
Encounters Film Festival is a short film and animation festival which takes place yearly in Bristol. I developed a new identity for the 2020 first digital edition of the festival. The design was created to help viewers navigate the information and the schedule of the festival at best, as well as suggesting the new ways in which the films were being viewed. Similarly the illustration on the cover conveys the new format of the festival as well as referencing film photography and lighting.
3/4 Heavy Lungs
176 X 250 mm
We met at The Tap Room, drank free beer and interviewed Danny Nedelko, Oliver Southgate and James Minchall from Bristol’s experimental post punk band Heavy Lungs. George Garratt (the fourth member) had better things to do. The interview investigates figures in Bristol’s underground music scene, exploring the band's stylistic choices; the creative process of writing music; their experience as performers and their thoughts on Bristol’s music scene, venues and its future.
Bristol Black History Month 2020
176 X 250 mm
Bristol Black History Month Magazine is a yearly publication, produced by Cognitive Paths, which provides an exclusive focus point for the city to celebrate the contributions and achievements of the African and Caribbean community, represent and unifying diverse communities and reduce racial tension by opening up conversations through story telling. This project was the result of a collaborative effort by myself, two other designers and the team at Cognitive Paths.